Corey Feldman: ‘Demonic’ Force Motivated Him to Expose Alleged Pedophiles in Hollywood
By Emily Gaudette On Friday, November 17, 2017 - 12:18
Update | Corey Feldman was one of the biggest child stars of the 1980s, appearing in films like Gremlins (1984),The Goonies (1985) and Stand By Me (1986). On screen he often provided wisecracking comic relief, but behind the scenes Feldman’s life was much darker. At 15, he was emancipated from his parents. He fought a very public battle with drug addiction. And, as he has spoken about increasingly in recent years, he says he was molested as a child by several powerful figures in Hollywood.
In the past month, Feldman has appeared on The Dr. Oz Show twice. The first time he accused actor John Grissom of abusing him. On Monday, he returned, and, with the support of Dr. Mehment Oz, was able to name another alleged abuser, Alphy Hoffman, the one-time owner of Alphy's Soda Pop, a private L.A. club for show biz kids, open between 1986 and 1989. Feldman has also talked more about the abuse his friend Corey Haim suffered when he was a child star. (In 2010, the 38-year-old Haim died suddenly of apparent natural causes.)
Newsweek spoke to Feldman about publicly naming the men he says molested him and Haim, becoming a vocal advocate for victims of abuse and his plans to crowdfund a film about pedophilia in Hollywood.
What motivated you to start naming your abusers? Did something change in the last few months?
It was almost demonic, really. First of all, the Harvey Weinstein scandal broke. When that happened, people in my life who know my background were suddenly saying, “Corey, do it now, you have to name these guys now.” I made a statement on Twitter saying I appreciated all the women coming forward, but that my experience with predators in Hollywood was different. I didn’t name anyone, and when I woke up the next day I had gained 30,000 new followers out of nowhere. It was insanity.
You described this moment as “demonic.” What do you mean by that?
I’m not invested in the Bible, I’m a Jew. But the more I talk about good versus evil, and the more I try to identify evil in the world, I’m hearing from friends that a lot of this sounds like signs of the end times. I believe that pedophilia in Hollywood is the symptom of a huge network motivated by dark forces. People cover up stories like this for power, for greed, and they choose to ignore victims because they don’t want to have to think about what they did or didn’t do that led to kids being in harm’s way.
Just by talking about pedophiles having assaulted me and my best friend, I’ve unearthed this collection of Twitter accounts with no more than 100 followers each, accounts that were made days before they started sending nasty, sarcastic, mocking messages at me. Every time I mention that I was victimized, or that there are still pedophiles in the film industry, it’s this flood of negativity and anger, just dark and nasty messages. I go to their pages to block them, and it’s all pictures of machine guns and skulls and crossbones. Where do these people even come from?
How do you cope with negative blowback?
People like to bring up the period when I was a kid, addicted to drugs and acting crazy or whatever. But what’s funny about that? I was addicted because I had survived being molested, and I was in incredible pain. I’m a man now, I’ve recovered, but I think the very fact that I’m here bothers a lot of people. They don’t want to ask themselves why I went through a period of difficulty like that.
You’ve talked about what your friend Corey Haim experienced as a child actor. But his mother, Judy, has said that some of your claims about her son are not true.
Well, I don’t want to go into that. All I’ll say is that I know she’s in pain and that I have an open invitation to talk with her if she wants it. The last time we spoke, we exchanged emails about a month ago, and she was clearly very angry, sending nasty things and accusing me of lying. I’m not here to get into a war with Corey’s mom. That won’t help anybody. I just want her to find a place where she can heal and accept the pain that her son went through. I’m just saying, the truth is extremely painful.
As you’ve described from your own experiences, we’re seeing adults sexualizing child actors who are working in Hollywood today. What advice would you give those kids?
Well, first of all, I’d advise their parents to never leave them unattended. Ever. Period. I don’t care if they’re 14 and they want to go to a party with the adult cast, you go with them. It doesn’t matter what someone’s reputation is or how successful they are. Knowing all that you know about the industry, I truly believe leaving your child alone on set or at a party is negligence. Straight up negligence.
There’s this story that keeps repeating itself [about] child stars who are adored by adults [who are] always talking to them and hovering around them. And then we all decide they don’t have talent anymore. And when they turn to drugs or have difficult lives, we mock them. We force them on reality TV or TV movies or, worse, we offer them parts where they have to make fun of themselves. I’ve been offered tens of thousands of dollars for a one-day shoot, just to come in and play myself on some show, talk about how crazy I am. And I think, “No. You know what? No. The Hollywood machine chewed me up, and now people would rather put me somewhere else where I’ll shut up, so they don’t have to face what happened.” I could give you so many names of young actors whose talent didn’t disappear, they just got forced out of the industry because it’s poisonous...
Like who? Can you share some names?
Alright, Rick Schroder. You ever see The Champ? That kid delivered an all-time performance for children. I’m talking one of the most inspiring performances ever on film. That guy should have gone on to win 20 Academy Awards, but he didn’t. He’s obscured. Why? It’s not like talent disappears. Soleil Moon Frye, Alfonso Ribeiro. I don’t want to make it seem like I’m calling people out, and I’m not saying they were victimized by predators. I’m just saying we don’t treat our young talents well at all. It goes all the way back to Shirley Temple, who disappeared from movies once studios got enough of her image as a kid. We use children. We’re using them.
So how do you see yourself working to fix this? What’s your role in changing the system?
I’ve got a feature film I want to produce, about all the ways we victimize children in Hollywood. My dream is producing it, getting it to screen in four cities, and then if we make enough money, we expand nationwide.
Why a film and not some other kind of project, like a documentary?
Well, a couple reasons. First, I’ve given all the information I gave to the police already, and nothing happened. If I just came out and identified all the abusers of children I’m aware of, I’d be buried under lawsuits for years and years. This way, I can hide under the umbrella of the corporation formed to make the film. Second, if I’m overseeing a film like this, I can make damn sure that no one who walks through those doors has a history of predation: No arrests, no domestic violence, no lingering accusations that didn’t go anywhere, nothing. The dream is to eventually build a film studio, to make films and projects that put good in the world, and to maintain that safety for everyone working on the projects.
How can people help you in getting the film made?
I know most people can’t afford to give much, but honestly, just sending messages with #istandwithcorey helps. Or #preserveinnocence. I’ve watched several of my A-list friends donate, but for the most part it’s crickets. All these studio execs and VCs I’ve worked with before, they act like I don’t exist.
All this news you hear is adding to this national idea that Hollywood is a cesspool, that it’s full of selfish, evil people instead of artists who want to do what they love. I’m trying to change that, to turn it inside out and make it better from the inside. I fear that after all these victims come out and name their abusers, the system will just close back around them and nothing will have changed.
You can donate to Corey Feldman’s film on child victimization in Hollywood on Indiegogo
Occult Worship – Hollywood’s Other Dirty Secret That Everyone Knows Of But No One Talks About
Buck Rogers, Writer
The avalanche of revelations about the perverted and predatory sexual underbelly of Hollywood and the entertainment industry is long overdue. It has always been an open secret of sorts, but the whole house is coming down right now as more people are suddenly feeling empowered to speak out, and the media is finally ready to listen and take seriously to the stories of victims.
But what if pedophilia and the sexual harassment of women in entertainment is only a symptom and not actually the disease?
Just below the surface, hidden in plain sight in Hollywood is the overwhelming influence of the occult and the esoteric schools of ancient black magic. It has always been present in this industry because those who seek power in our world have long recognized that television, film and music are the most efficient and important roadways into the public psyche and the collective conscience.
Many have warned us about this for years, composing volumes of books and videos, gathering evidence of this bizarre conspiracy.
“Hollywood is, as David Lynch titles it, an “inland empire” – a kind of covenantal city-state of its own, with its own religion, including all the trappings of neophytes, acolytes, servants, agents, star saints, hierophants and hierarchs and holy sites. It is a veritable polis of initiatory esoterica where the holy sites and rites of Hollywood are not the altars of mainstream religion, but another ancient religion, ultimately summed up in the epithet of the ancient mysteries. The ancient mysteries comprise the competing religious practices of the empires of old, but the one empire that seems to have achieved the most appropriate association with Hollywood is Babylon – the “gate of the gods”.” ~Jay Dyer
Clues appear in the form of symbols and the use of symbolic set and setting in order to introduce occult memes into the subconscious. Subliminal messages packed with sexual innuendo including veiled pornographic images and reproductive anatomy are vaguely concealed in films. Music videos are laden with satanic imagery and overtly demonic themes.
Here is a compilation of examples of this in many of Disney’s children’s films:
Here is a compilation of Iluminati and satanic symbols appearing in music videos. There are hundreds of more examples of this that are quite easy to find.
Illuminati symbolism is a recurring theme, often resurfacing as the chosen celebrity covering one eye. The symbol of the one eye is of course the same single eye that watches from atop the symbolic pyramid, a symbol on our money and scattered throughout the political world.
There are so many instances of actors, musicians and pop stars being photographed with one eye covered that it defies the definition of coincidence. Here is a collage with just a tiny fraction of available examples.
Hollywood has its own hidden language that is stunningly pervasive in entertainment media, with recurring themes applied over again in new contexts. There is so much to it that it cannot be ignored, but you don’t see it until you’ve been introduced to it. Once you see, though, you see it everywhere.
The themes are applied in so many productions that it utterly defies coincidence, which means there must be some greater unifying message or purpose to it all. Based on the type of symbols and when looked at in the historical context of esoteric religious movement, Egyptian theology, Babylonian mythology, Satan worship and so on, Hollywood and the movie industry is clearly working to serve a particular idealogical movement.
The worship of dark and satanic forces has historically been linked to human sacrifice, pedophilia, sexual perversion, ego worship, celebrity worship, fragmentation of the individual psyche into controllable parts, mind control and corruption of the soul. The use of the occult and its symbols is a methodology employed to weaken the power of the individual and to create psychological slaves. It is a serious form of mind control.
While there certainly is reason to applaud the growing tidal wave of truth about Hollywood, one can only hope that these revelations ultimately go all the way to the core of the depravity in Hollywood, and that we can finally liberate our culture from these dark influences.
Read More: Waking Times
Walt Disney Company May Face Multiple Lawsuits as Harvey Weinstein's Sexual Allegations Continue
Michael Eisner and Jeffrey Katzenberg, who ran the Walt Disney Company during the Harvey Weinstein years (1993-2005), have both denied any knowledge of Weinstein's alleged sexual misconduct during those years. This would include any sexual harassment settlements made during that time. The Weinstein Company also denies any knowledge. These denials could be tested in a court of law should those alleging harassment and abuse choose to press the issue of corporate liability.
In 1979, two brothers from the outer boroughs of New York, Bob and Harvey Weinstein, had a dream and founded Miramax. Named after their parents, Miriam and Max, the company specialized in distributing smaller films, independent products the studios were not interested in.
The big time arrived in 1989 with the distribution of director Steven Soderbergh's Sex, Lies and Videotape, a smash that changed independent film forever.
What followed was more success than failure, and even some Oscar gold. To capitalize on their good fortune, rather than take the company public, the brothers decided to sell, and in June of 1993, the Walt Disney Co. purchased Miramax for $60 million.
With almost total independence, Harvey and Bob stayed on. The rocky relationship between the volatile but successful brothers and the stuffy parent company lasted 12 years.
In March of 2005, the brothers bolted Disney, left their beloved company behind, and founded The Weinstein Company.
Throughout these three decades, according to those who have just come forward, Harvey allegedly harassed, groped, and even raped numerous young women, many of them employed by his company in various capacities, including as actresses. Other alleged victims claim he used the promise/threat of employment to lure them into compromising situations.
Moreover, during this time, according to the New York Times, Weinstein settled no fewer than eight sexual harassment claims. One we know of goes back to 1997, when Miramax was owned by the Walt Disney Company.
As this scandal widens, it is becoming more and more obvious that this alleged behavior by Weinstein (without being specific, he admits and denies the allegations) was not a secret to everyone in Hollywood. Many, including actress Jessica Chastain, say outright that Weinstein's predatory ways were openly discussed, that she was warned about working for him.
Which brings me back to the issue of corporate liability.
If, sometime between the years 1993 and 2005, when it owned Miramax, Disney was aware of Weinstein's behavior, Disney was obligated to protect its employees, including young actresses like Gwyneth Paltrow and Rose McGowan, who claim to have been harassed, including Asia Argento who claims Weinstein raped her in 1997.
Outside of the "open secret," another issue that makes one wonder about Disney's moral, ethical, and legal liability, is the settlements.
Unless Weinstein settled using his own money, which is unlikely, how could Disney not know about corporate money spent for sexual harassment settlements?
My colleague Joel Pollak, an attorney, sees a potential liability:
As more alleged victims come forward, it is possible that some could decide to sue Disney for failing to exercise its arguable duty, during its ownership of Weinstein's Miramax for more than a decade, to protect employees from a sexually predatory boss - if, in fact, Disney knew or had reason to know of his behavior.
By failing to intervene early, those in a position to hold Weinstein accountable arguably allowed him to continue his abusive behavior and could now conceivably face legal liability from victims - at least from those who did not sign the settlement agreements that have been revealed.
Pollak informs me that the same can be said of The Weinstein Company, the corporation formed by Harvey and Bob in 2005. The Weinstein Company may have fired Harvey, but brother Bob remains, as does any potential corporate liability.
And what about Bob? Did he not know about his own business partner's-his own brother's-settlements?
The women who have already accepted settlements from Weinstein probably cannot sue as a term of accepting that settlement.
But all those women who claim to have been harassed by Weinstein, those who have not sued, could very well have a case against both Disney and The Weinstein Company.
If one or both of those corporations knew what Harvey was allegedly up to, and did nothing to protect its employees, this scandal, which is already the biggest in Hollywood history, is only getting started.
Harvey Weinstein Scandal Inspires Creation of Website That Allows Victims of Entertainment Industry to Document Abuse
Harvey Weinstein Scandal Inspires Creation of Website That Allows Victims of Entertainment Industry to Document and Report Abuse
The recent revelations of the sexual abuse of mega elite Hollywood mogul and fundraiser for the chrony Clinton family, Harvey Weinstein, prove that Hollywood, the mainstream media, and even government officials will cover for or look the other way as sexual predators act out their sick fantasies in front of them.
As the NY Times reports, this sexual harassment did occur in front of everyone and no one said anything about it. He had an elaborate system reliant on the cooperation of others: Assistants often booked the meetings, arranged the hotel rooms and sometimes even delivered the talent, then disappeared, the actresses and employees recounted. They described how some of Mr. Weinstein's executives and assistants then found them agents and jobs or hushed actresses who were upset.
Even CNN got in on the action by bashing the person who they vehemently defended during the 2016 presidential election, Hillary Clinton.
On Tuesday morning, Virginia Sen. Tim Kaine, the Democratic party's 2016 vice presidential nominee, sat down for an interview on CNN's "New Day." Asked about the allegations of sexual harassment against Harvey Weinstein, the deposed Hollywood mogul, Kaine said: "Any leader should condemn this. These allegations are low-life behavior."
By that definition, the last two Democratic presidents as well as the party's 2016 nominee are not leaders.
While this news should come as no surprise to those who've been paying attention to the claims of abuse inside Hollywood, the recent and negative exposure given to the Hollywood elite is helping to garner attention to this long depraved practice inside the terrifying world known as Tinseltown.
As the elite point fingers at one another over who should distance themselves further from this sexual predator, internet sensation Kim Dotcom took to Twitter to propose an actual solution.
Pointing out the horrid nature of the film industry and their lust for sexual abuse and even slavery, Dotcom began Tweeting his idea to solve this problem.
Dotcom's plan to expose the depraved ways of the elite is to have victims come forward and work for justice under the protection of an attorney.
To do this, Dotcom is asking for folks to build a secure website on which victims of the Hollywood elite can document their abuse and seek damages for their actions.
Making sure to let everyone know he was fully aware of the horror show that is Hollywood sex abuse, Dotcom retweeted a video of a Cory Feldman interview in which Feldman exposed the sadistic acts of Hollywood pedophiles.
While looking through the replies to his request for someone to build a website to document abuse, it appears that there are several people willing to accomplish this task. Now, the only hard part is getting the victims to come forward. When a victim comes forward, they are normally tarred and feathered in the mainstream media and made to look like fools. Even when their stories are corroborated by others, nothing happens to those responsible.
As the Free Thought Project reported last year, childhood star turned adult actor Elijah Wood, also claimed Hollywood is in the midst of a massive sexual abuse scandal, which can be compared to that of Jimmy Savile in Britain.
Wood came forward in an interview to blow the lid off the dark underground world of child acting in Hollywood.
In the interview with the Sunday Times, Wood dropped a bombshell, noting how child actors were regularly "preyed upon" by industry figures.
"Clearly something major was going on in Hollywood," said Wood. "It was all organized."
What Wood is talking about is the rampant sexual abuse of child actors, which has been previously exposed by Corey Feldman as well as Corey Haim.
In an episode of their reality TV show, The Two Coreys, a candid fight broke out during which Haim claimed Feldman stood by and watched as a person Feldman "still hangs out with" and is "best friends with" proceeded to "rape" the 14-year-old Haim.
"There are a lot of vipers in this industry, people who only have their own interests in mind," continued Elijah Wood in his interview. "There is a darkness in the underbelly - if you can imagine it, it's probably happened."
Wood says the abuse runs unchecked because the victims "can't speak as loudly as people in power."
"That's the tragedy of attempting to reveal what is happening to innocent people," he said. "They can be squashed but their lives have been irreparably damaged."
Wood is referring to the immense power of Hollywood elites to control the narrative and quash any allegations of abuse before they even happen.
This narrative is so controlled that after Wood made these comments, the very next day the mainstream media attacked him and forced him to downplay them.
Indeed, this control over the narrative is so strong, that the NY Times, the paper who just exposed Weinstein, could've done so over a decade ago - but chose not to.
On Sunday, reporter Sharon Waxman wrote a piece for The Wrap that said that the New York Times had quashed her investigation into Weinstein's sexual misconduct back in 2004.
In her original report, Waxman tracked down Fabrizio Lombardo, the head of Miramax Italy. She traveled to Italy and discovered that Lombardo knew nothing about filmmaking. He was reportedly being paid $400,000 in less than a year to "take care of Weinstein's women needs." At the time, Disney, the then-parent company of Miramax, told Waxman that they had no idea Lombardo existed.
The fact that Weinstein is getting exposed for his alleged past abuses is a major blow to the depravity taking place behind the silver screen. Americans would do wise, as Kim Dotcom has done, and let this instance shine a light into the darkness of Hollywood-instead of serving as a distraction from the rest of the atrocious crimes.
'Eyes Wide Shut' Actress: I Came Out As A Conservative In Hollywood. Here's The Incredible Story Of What Happened Next
'Eyes Wide Shut' Actress: I Came Out As A Conservative In Hollywood. Here's The Incredible Story Of What Happened Next
About a year ago I made one of the more risky decisions of my life – one that I knew could hurt my career as an actress. I decided to come out of the conservative closet and admit to my peers that I was a conservative in Hollywood.
Yes, hard as it is for some to believe, not everyone in the entertainment industry on the Left Coast is a left-winger.
An acquaintance had asked me to write for a right-of-center political magazine. I realized I would be outing myself by doing it, but I ended up writing a few dozen articles with a right-leaning libertarian slant that were well received.
Sadly, the magazine closed and I was faced with two options.
Members of the Hollywood left don’t want to listen, discuss, or even see a dissenting viewpoint that challenges their own comfortable echo chamber. It’s ironic that an industry that constantly talks about diversity is so judgmental, hateful and utterly rigid in its groupthink.
Option 1: I could start apologizing to all my Hollywood liberal friends and associates who’d been shocked by my writing and tell them: “I didn’t really mean it … it was a paid gig and I was simply doing it for the work.”
Option 2: I could have the courage of my convictions and continue down the conservative path.
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The first option may have brought me liberal forgiveness. Let’s be honest, many of us in Hollywood “whore” ourselves out for work, a pay check and another credit for our resumes.
But I knew if I took Option 1 that I would have to never speak or post anything that even squeaked of conservatism again. I would have to nod and agree with all the constant comments and wild accusations against President Trump – “the racist,” “the misogynist,” “the one who is trying to destroy the world.” Sigh.
So, being the person I am, I chose the second option. I refused to be a coward and be untrue to myself. I believed my path to be the more honest albeit more painful option.
Since then I haven’t fared well. My “unfriendings” on social media have been many – from acquaintances and close working associates to good friends – including even my best friend. It is interesting to note that all of them just stopped calling and quietly “ghosted” me, and then later unfriended me.
Unfriendings aside, the written and very public insults from Hollywood peers on social media and elsewhere have been numerous. I’ve been attacked with obscenities, called a racist, and had one person tell me he hoped I would die.
And then there was the fellow actress attacking me with an obscene sexist insult reserved for women. Unbelievably, I had short-listed that same actress for a film I was helping to cast last year!
Needless to say, I learned to tune the abuse out. What’s interesting is that I noticed a particular upsurge in unfriendings immediately after the Charlottesville incident And of course, I know why: The media of choice for the left – including CNN, MSNBC, HuffPost, the New York Times and the Washington Post – all reported the incident in such a way as if to make it appear that all Trump supporters are Nazis.
Of course, that’s false and it couldn’t be a more ridiculous spin, but the media are, after all, giving their base exactly what it wants to hear, true or not.
Even the head of CNN International, Tony Maddox, himself has stated that President Trump has been good for business. (At least the way they report on him.)
Predictably, the majority of people in Hollywood believe the media they watch and read to be utterly and completely true, so how can I convince my liberal friends and associates otherwise?
Members of the Hollywood left don’t want to listen, discuss, or even see a dissenting viewpoint that challenges their own comfortable echo chamber. It’s ironic that an industry that constantly talks about diversity is so judgmental, hateful and utterly rigid in its groupthink.
I actually ran into a former good friend (who had of course unfriended me and stopped calling) at a film screening recently. He told me: “Oh, we’re still friends … I just couldn’t be your friend on Facebook.”
I asked him why. He said: “I have a lot of important people on my page, and I can’t be seen to have those kinds of associations.”
“Coward,” I thought.
As I try to move forward in my creative life and my career in Hollywood, it will be interesting to see how I will be able to navigate a future there.
After all, I’m a creative soul and art is art. It should be the one area where utter freedom of expression should reign, regardless of political leanings.
As for my more liberal friends who haven’t ditched me over politics, I’m truly grateful for them. It is they and maybe conservatives like me who will hopefully help to bring people together again and end this insane polarization we are all witnessing.
As for the others, I’m not going to back down and lie to get ahead. But I know that staying true to my conservative beliefs means they’ll steer clear of me so as not to be sullied with the association … much like my so-called “friends” who ditched me publicly.
Bearing this in mind, I can see that I’ll have to take my career into my own hands in trying to find producers and funding for my own screenplay to get my film cast, shot, produced and distributed.
As one very high-up industry (and closeted conservative) person said to me recently: “Get back in that closet if you want to get that film made.”
Thanks for the tip, but there’s no going back. Wish me luck.
Aleister Crowley: The Most Wicked Man
Aleister Crowley's Bush Family Connection and His Teachings That Sill Guide America Today
“Born in 1875, Aleister Crowley had, like the Rolling Stones, rebelled against a regulated small-town background. He’d been raised in Leamington, Warwickshire, by parents who were members of the Strict Brethren, a fundamentalist Christian sect. From an early age young Aleister identified with the enemies of God in the Bible stories that were read to him. In particular he identified with the antichrist predicted in the book of Revelation. In 1898 he joined the Hermetic Order of the Golden Dawn, a magical society.”
Most of Crowley’s adult life was dedicated to indulging in everything he believed God would hate: performing sex magic, taking heroin, opium, hashish, peyote and cocaine, invoking spirits, and even once offering himself to the Russian authorities to help destroy Christianity. He wrote volumes of books that he believed were dictated to him by a spirit from ancient Egypt called Aiwass. “To worship me take wine and strange drugs,” the spirit conveniently told him. “Lust, enjoy all things of sense and rapture. Fear not that any God shall deny thee for this.”
Aleister’s father Edward was a Brethren preacher. The young Crowley had inherited a fortune from his father, Edward Crowley who died when Aleister was eleven. From this inheritance, Aleister financed his satanic career. He began torturing and killing animals at age twelve. Crowley was a heroin addict and a sexual pervert. His Christian mother referred to him as “The Great Beast of Revelation whose number is 666,” and he was pleased with the title. He was convinced that he was the reincarnation of the magician Eliphas Levi, who died the year Crowley was born. Crowley also believed he had lived other lives, including that of Pope Alexander VI. Crowley claimed that dark powers gave him the words to his “Book of the Law.” His first wife, Rose, died in a mental asylum. His second wife also went insane. “Five mistresses committed suicide, and scores of his concubines ended in the gutter as alcoholics, drug addicts, or in mental institutions” (Hellhounds on Their Trail, p. 56).
In 1922, Crowley published Diary of a Drug Fiend, which was about the use of cocaine. He described the widespread use of cocaine among Hollywood stars, which he described as “cocaine-crazed sexual lunatics.”
As noted, Crowley died a wasted heroin addict given to rages and doubts. His last words were “I am perplexed…” Crowley worshiped the demon god Pan, the god of sexuality and lust. This was the original concept of Peter Pan, a Michael Jackson and Disney hero. His “Hymn to Pan” was read at his funeral: “I rave and I rape and I rip and I rend/ Everlasting world without end!”
Crowley believed in human sacrifice and said “A made child of perfect innocence” is the most suitable victim.
Watch this morbid video exposing Crowley:
Zepplin’s song “Stairway to Heaven” carries the reference “May Queen,” which is purportedly the name of a hideous poem written by Crowley. Paige had inscribed in the vinyl of their album Led Zeppelin III, Crowley’s famous “Do what thou wilt. So let it Be.’ Paige and Robert Plant claim some of Zeppelins’ songs came via occultic “automatic handwriting,” including their popular “Stairway to Heaven.” Crowley’s Boleskine House, which Paige purchased was once a church that burned to the ground with the congregation inside. (Humm… nice huh?) There is no Stairway to Heaven….It’s a STAIRWAY TO HELL!!!
Another thing that Crowley emphasized to his readers was that musicians into Magick (Crowley’s spelling) would be able to be musical mediums. When speaking of “Stairway to Heaven,” Robert Plant claimed to be a musical medium. He said the following about how he received the lyrics to the song: “‘I was just sitting there with Pagey in front of a fire at Headley Grange (Zepplin’s recording studio),’ Plant recalled. ‘Pagey had written these chords and he played them for me. I was holding a pencil and paper and for some reason, I was in a very bad mood. Then all of a sudden my hand was writing out the words: “There’s a lady who’s sure, all that glitters is gold, and she’s buying a Stairway to Heaven.” I just sat there and I looked at the words and I almost came out of my seat.” In 1998, the year of Page and Plant’s last world tour, Jimmy Page said the following..
(Taken from the Atlantic Records website): “When we first got back together, it was so immediately apparent that the two of us were just channeling the music. That’s what we had always had, and it was so apparent that it was there. It was almost effortless.” When commenting on the production of the album with Stairway to Heaven on it, Page made the following statement in the January 2002 issue of Guitar World magazine: “If something really magical is coming through, then you follow it.”
THE LAW OF REVERSAL
Crowley taught the Law of Reversal, which we go into in depth later. He believed in rituals carried out backwards. Remember, Stairway to Heaven has probably been around for hundreds of years in the spirit world, just waiting for the right moment to come out.. But for now, listen to Stairway to Heaven backwards…Don’t take our word for it…Listen for yourselves.
“We tried to take advantage of everything that was being offered to us.” In their channeling of the music and lyrics to Stairway to Heaven, Led Zeppelin presented the concept of worshiping the male/female godhead of the Qabalah, as taught to them by Aleister Crowley, that Lucifer is the god all over the world, irrespective of the name and that he has a female consort in the form of light; hence the lyrics: “There walks a lady we all know, who shines white light and wants to show….” The god form that they want the fan to worship in the song is Pan the Piper (also the origin of Peter Pan), the Greek God of the forests, who again, was presented by Aleister Crowley in no uncertain terms as Lucifer the Piper, the maker of music.
The worship of Lucifer, in the form of Pan, was a theme through all of Aleister Crowley’s writings. Jimmy Page has always been an open student of Crowley the Black Magician, and Led Zeppelin was his band. Following the teachings of Crowley, Jimmy Page and company were successful in placing his doctrines in many of their songs, including “Ramble On,” “Black Dog,” “The Battle of Evermore,” “Stairway to Heaven,” “No Quarter,” “The Song Remains the Same,” “Kashmir,” “In The Light,” “Achilles Last Stand,” and “Nobody’s Fault But Mine,” just to name a few. Led Zeppelin even went so far as to command their fans to sell their souls to the Devil in their concert film, “The Song Remains the Same.”
The Beatles were into Crowley’s teaching of the Law of reversal and did backmasking on many of their albums:
The cover of the Sergeant Pepper’s album by the Beatles showed a background of, according to Ringo Starr, people “we like and admire” (Hit Parade, Oct. 1976, p.14). Paul McCartney said of Sgt. Pepper’s cover, ”. . . we were going to have photos on the wall of all our HEROES . . .
If you have ever had any reservations that the Beatles are EVIL…Look at this album below which shows a dead baby ripped from limb to limb with the mutilated parts all over George, Paul, John and Ringo. You can even see the umbilical cord dangling down on Paul McCartney’s hand. This album was recalled because the butchers association complained more than anyone else…..YES! It’s DISGUSTING!
Other people who embraced the teachings of Crowley:
Ozzy Osbourne called Crowley “a phenomenon of his time” (Circus, Aug. 26, 1980, p. 26). Ozzy even had a song called “Mr. Crowley.” “You fooled all the people with magic/ You waited on Satan’s call / … Mr. Crowley, won’t you ride my white horse…”
On the back cover of the Doors 13 album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley.
David Bowie referred to Crowley in his song “Quicksand” from the album The Man Who Sold the World.
Mick Jagger, Sings about “Sympathy for the devil” Where he clearly identifies himself as Satan…Listen to his LP! Then listen to the Stones album “Their Satanic majesty’s request”
Graham Bond thought he was Crowley’s illegitimate son and recorded albums of satanic rituals with his band Holy Magick.
Iron Maiden lead singer Bruce Dickinson said: “… we’ve referred to things like the tarot and ideas of people like Aleister Crowley” (Circus, Aug. 31, 1984). Their song “The Number of the Beast” said, “666, the number of the beast/ 666, the one for you and me.” Crowley was called the Beast.
Daryl Hall of the rock duo Hall and Oates admits that he follows Crowley. “I became fascinated with Aleister Crowley, the nineteenth-century British magician who shared those beliefs. … I was fascinated by him because his personality was the late-nineteenth-century equivalent of mine—a person brought up in a conventionally religious family who did everything he could to outrage the people around him as well as himself” (Rock Lives: Profiles and Interviews, p. 584). Hall owns a signed and numbered copy of Crowley’s The Book of Thoth (about an Egyptian god).
Sting, formerly of the Police, has spent many hours studying Crowley’s writings.
Stiv Bators, lead singer for The Dead Boys and Lords of the New Church, had a song titled “Do What Thou Wilt/ This Is the Law,” after the philosophy of Satanist Aleister Crowley. In another song Bators sang: “I heard the Devil curse/ I recognized my name.”
LSD guru Timothy Leary was a Crowley enthusiast. He said: “I’ve been an admirer of Aleister Crowley. I think that I’m carrying on much of the work that he started over a hundred years ago … He was in favor of finding yourself, and ‘Do what thou wilt shall be the whole of the law’ under love. It was a very powerful statement. I’m sorry he isn’t around now to appreciate the glories he started”
The Marilyn Manson song “Misery Machine” contains the lyrics, “We’re gonna ride to the abbey of Thelema.” The Abbey of Thelema was the temple of Satanist Aleister Crowley.
If ever there was a God-hating degenerate, it was Aleister Crowley …How anyone can admit to admiring this animal is beyond comprehension.
Crowley was the one who initially coined the term “New age” in his book “The Book of the Law.”
He wrote a chapter called “The New Aeon” back in 1904. Franklin D. Roosevelt was so impressed with the teachings of Crowley,(God only knows why), the President put an image Crowley designed on the back of the dollar bill. The Eye in the triangle now on the one dollar bill was created by Crowley. It is the eye of Horus (a demon) looking through the pyramid signifying a day when we are all watched by big brother under the New World Order. Around it are the words “Annuit Coeptis Novus Ordo Seclorum” Which in Latin says “Announcing The Birth Of The New Order Of The Ages.”
To read more about Crowley's influence on modern day music go here.
Crowley's Bizarre Bush Family Connection
Few people understand that one of the most notorious individuals in British history may have contributed to the lineage of our current president. Evidence points to the disturbing possibility that Crowley was the true father of Barbara Bush, the former First Lady and mother to George W. Bush. If you look at the below pictures, you can see the resemblance of Crowley and Bush are too apparent to dismiss. Anyone who remotely knows genetics can see these two people are related!
The story may seem difficult to believe at first, until one learns more about the social inter-relations that tied together these unlikely parties. Specifically, we must focus on a fascinating woman named Pauline Pierce.
Pauline Pierce, born Pauline Robinson, had a third child was named Barbara. Most sources divulge little about this woman. We learn more about her husband Marvin Pierce, the president of the McCall Corporation, which published McCall’s magazine and Redbook. He married Pauline, a beautiful young socialite, in 1919. Their first child, Martha, was born the next year; the second, James, was born in 1921. At this time, Aleister Crowley inhabited what must have seemed a very different world, as he embarked upon the great communal experiment of the Abbey of Thelema in Italy.
During the Abbey period, a Crowley follower had accidentally died during a magical (Crowley’s spelling) ceremony. The incident created a firestorm of unwanted publicity (the sensationalist British press labeled Crowley “The Wickedest Man in the World”), which prompted Mussolini’s government to expel Crowley and his followers from Italian soil.
When Crowley was 50 years old, he was residing in the home of Frank and Nellie O’Hara in Paris, France. In early 1924, Nellie was visited by her American friend, Pauline Pierce, the wife of Marvin Pierce, president of the McCall Corporation, which published McCall’s and Redbook magazines.
During Pauline’s visit, Crowley underwent what he termed the “supreme ordeal,” an initiation into the Masonic Ipsissimus Grade — the highest magickal achievement in his Order. The initiation rite included choosing one or more experienced attendants, charged with arousing and exhausting him sexually by every means possible, employing every artifice and stimulant. In that place and time, Nellie and Pauline were the most suited for this task.
Pauline returned to America, and on June 8, 1925, eight months after Crowley’s “supreme ordeal,” Pauline gave birth to a daughter she named Barbara. Barbara grew up to marry George H. W. Bush, who later became President of the United States. Is Aleister Crowley the father of Barbara Bush?
It’s very possible and highly likely that she knows her real father was Crowley and is working behind the scenes to carry on the agenda he started. Illuminati families are way more aware of things like this than we think they are. I suspect Crowley is indeed Barbara Bush’s real father.
Barbara Bush matches her real father, Aleister Crowley to near perfection. The face and eyes, it’s all very clear. Barbara Bush has no resemblance to Marvin Pierce (Her alleged father). But is a perfect match to Crowley. Just look at the resemblance.
To read more about the Bush-Crowley Family connection visit the Millennium Report. They uncovered a more in depth investigation on this topic.